* 09/05/2022 -
The proceedings are now available!

* 19/04/2022 -
Check out the program!

* 08/04/2022 -
Travel funding

* 25/03/2022 - The registration is now available!

* 10/01/2022 - The deadline for paper submissions is extended to January 30th 2022

Sign to sound, sound to sign

This session will seek to address a state of the art in critical aesthetics and History of musical notation.

Distributed/AR notation

This session welcomes papers on animated/distributed notation, as well as focus of the advances of AR-VR technology, in order consider the digital score as a playground for XR and augmented reality.

Computer-aided composition

This session consists of presenting different technologies available today for computer-aided composition. The session would benefit from confronting lisp-inherited softwares and compositional practices (PWGL, Patchwork, OM, bach...) with more rencent AI-related approaches.

Comprovisation

Sandeep Bhagwati introduces the term "comprovisation" through an essential distinction: "Every performance can be said to consist of two types of elements: those that stay more or less the same between different performances, and those that are unique to the context of this particular performance." The session welcomes contributions exploring the fixed-score/improvisation binome as a dialectic and/or as a continuum. The session will be coupled with a workshop and a concert at the Marseille conservatoire around Somax, an Ircam software representing over 10 years of research in AI-music.